3D printing is a comparatively new artistic medium and is particularly suitable for editions; in this text I therefore explain the edition practice, the artistic reservations and the handling of digital twins in order to create maximum transparency for collectors or curators.
Edition and Production
Unless otherwise stated, the 3D‑printed sculptures are produced as an edition of 5 (+Proof Print/+Gallery Print), usually in PLA (polylactide, a predominantly plant‑based thermoplastic often made from corn starch or sugarcane and not primarily derived from petroleum). Within the edition, a different printing material or finish is possible on request. Each piece is numbered and individually post‑processed.
Production and variability: Editions are generally produced on demand. Individual pieces may vary in surface, post‑processing and small details; these variations are an intentional element of the artistic process. Buyers receive the actually produced, numbered object. The authenticity of the piece is confirmed by a Certificate of Authenticity.
Artist's reservations
The artist reserves the right to produce additional individual copies or further realizations in other formats and materials, in particular, but not exclusively, in bronze. Such realizations are considered independent works and are not part of the edition of 5. These reservations safeguard artistic freedom, allow for long‑term development of the form and can enhance the value of the original edition.
Exception for unlimited works Unlimited or uniquely produced sculptures are exempt from the edition practice described above and are treated independently.
Digital twins and archiving
The digital twins — 3D models and associated metadata — are permanently archived for curatorial reasons.
The digital twins may be used for virtual exhibitions, digital reproductions, research and mediation. The sale of the digital twins for further reproductions is excluded; the sale as a digital object (e.g., in virtual worlds) remains exclusively reserved to the artist. Any use is carried out while preserving provenance and reproduction documentation.
Conservation notes
PLA is particularly suitable for editions and indoor presentation. PLA is sensitive to heat and UV and is therefore less suitable for permanent outdoor display.
Remove dust with an antistatic brush or a microfiber cloth; clean stains spotwise with lukewarm water and, if necessary, a mild, pH‑neutral cleaning agent; PLA is relatively dimensionally stable, but impacts and point loads should be avoided; delicate parts should be especially protected during handling, transport and presentation.
Contact
For detailed information on material options, alternative materials within the edition (e.g., bronze realizations), large‑format versions or virtual presentations, please use the contact form